gr-332 - Christian & Beasley - Stories  It was in early 2018 as part of the Snow Ball, a mini festival held in Rugeley in the Staffordshire district of England where 6 musicians took turns playing a 30-minute segment of music, that STORIES took root. Originally offered on the virtual ticket concept, the recording of the two acts by John Christian and Adrian Beasley has been remixed and mastered in its entirety for the purposes of this new manufactured CD which is offered by the Dutch label Groove nl. The 2 30-minutes tracks are merged into one long 59-minute piece of fully improvised electronic music (EM) where the atmospheric phases are rerouted by Berlin School and England School rhythmic structures and where the flavors of Airsculpture can be heard in the evolution of the 3 parts of STORIES. A first chord falls and sounds like a distant chime, bringing to our ears the sound of sonic waves and muffled beats that evaporate when the keyboard lets its chords wander under synth layers that have this industrial bluish color. A bass stratum crawls through the background as softly Stories Part 1 prepares its musical homily. Its first few minutes are very atmospheric with a Rick Wright-like keyboard that scatters its keys under banks of gothic mist. A pulsating bass line overlaps this phase a little after the 4th minute, establishing a latent rhythm that attempts to ascend under layers of a more hazy mist. The synth releases jazz-like solos that remain as discreet as the evasive keyboard chords. The rising rhythm of this sequential bass line hangs tightly on the structure whose atmospheric texture slowly fades away to leave more room for the synthesizer's improvised expressions. I hear some Klaus Schulze from the 10th minute onwards, where the rhythmic structure changes the nature of its tone as well as its flow with another line from the sequencer that makes tumble the rhythmic phase of Stories Part 1's last moments. Getting rid of the rumbling shadow, the 2 sequences coordinate an undulating biphasic movement. Stories Part 2 then whispers a soft rhythm that rises and falls with a certain fluidity under the numerous facets of the synth whose musical haze remains the main asset. We enter a superb Berlin School phase with an ascending rhythmic structure that unlocks its speed with more and more accentuated jumping chords from the sequencer. I can still hear Schulze in the synths that let out sonic cirrostratus. These vaporous layers become more and more compact, responding to the rhythmic gravitational accentuation. The solos come in from the 6th minute. It is shortly after that that the sequencer dribbles its jumping arpeggios in a frenzy that now flirts with the violence of England School. The synth takes on a guitar-like texture in this electronic rock phase worthy of the good times of Tangerine Dream in the vintage years. A great moment in this album that fills my ears with pure happiness until the 18th minute when the ghostly solos o f the synth conclude a pact of silence with the rhythm. Impossible not to make a link with Airsculpture here! The hollow breezes, vapors and industrial drizzle of the finale brings us to Stories 3 and those sonic hoops that evaporate in a strong gust of wiisshh and woosshh. A beat remains. Deaf, it disappears under this immense sound mass where a ghostly melody starts to glitter, weaving earworms by a string of moving arpeggios. It's the call for rhythm! We reach the 3-minute mark and already the sequencer is looking for the rhythmic pattern to offer us. Hesitant, uncertain, it ends up deploying a violent gallop made up of sharp kicks which structure a rhythm at first spasmodic listening. The synthesizers multiply one of the zones of mists on a dystopian silvered and sharpened chant. We are in the most violent phase of STORIES with this rhythmic structure that carries several tonal forms, including organic radiations as well as a lyrical vision, galloping with intensity under ha unting and evasive synth solos. Polyform in their seductive natures, these solos change harmonic texture to drop twisted filaments a bit psychedelic on a rhythm that decreases its intensity as soon as the 15 minutes barrier is crossed. The last jolts of the sequencer stretch over a distance of 5 minutes, leading Stories 3 into an atmospheric finale that brings the loop of this wild 3rd part of STORIES full circle. Improvised music is always subject to long redundant phases! An element that is absent from this new album by John Christian and Adrian Beasley that has everything to please aficionados of the Berlin and England School styles. The atmospheric periods are filled with details that are tasty in the ear and cling to latent rhythmic structures that eventually explode...sometimes with a seductive violence. Sylvain Lupari (June 25th, 2022) |
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gr-321 - Peters, Martin - Deeper Understanding  The first sequence organizes bouncing balls in a synthesized haze. The cycle is almost perfect with 3 lower chords and another series of more musical arpeggios that circle in the background. It feels like this circular loop either picks up a little more speed or gets heavier as the haze intensifies in the background. Balls are added in the growing subtlety of Gone that faint explosions radiate of a more rumbling mass of sounds! Faster or fuller, this repetitive structure becomes the ball of a stationary rhythm that is inspired by the mechanical and repetitive movements of an escalator. And yet, the framework of Gone evolves. Either by adding more jumping keys, or by adding another line that hops in a canon effect on the previous one. There are also these synth effects that add a slab of paranoid poetry, a legitimate reminder of Klaus Schulze's ambiences in Dreams. These elements put together add a layer of intensity that seems to have no lim i t in the progression of the music. And it is with astonishment that we notice that we are already at the 14th minute. Gone deflates faster than it progresses, reaching a sleepy slowness in the land of the Aether maintained by that more intense fog that has carefully enveloped its final sequence, unless it is its ghost, 90 seconds before its final orchestral breath. The minimalist music! Do you like it? It's the sweet rendezvous Martin Peters invites you to. Ron Boots describes this musician from the Netherlands as an excellent sculptor of sequences. He's been working in the EM spheres since the early 2000's with a first album entitled Attorks released in 2002. DEEPER UNDERSTANDING is his 3rd solo album, the other being Angels of Nowhere in 2016. At the same time, he works with Rene de Bakker for the Beyond Berlin project which has released 5 albums since Music For Cosmic Nights 2013 in 2013. Consistent with the idea of what one might have of luminous particles dancing with thei r tonal shadows, Particles is built around a chime movement amplified by five. The Particles dance briskly, shimmering their reflections that fattens the dancing mass like a wriggling pool of hand-fed fish on a sunny noon. A bass-pulse carves a sly rhythmic structure that moves back and forth on this carousel that has no control over its arpeggios. The merging of the two elements casts a shadow over the arrhythmic capers of the bouncing marbles, creating a short bridge in the third part the track where the vitality of the marbles shines again with clearer tinkling of new bells along quiet and nice synth solos over a rhythm structure that has become sly again. The Wasp feeds slightly on Particles, especially its last third. A more musical track with the sequencer, synth, synth bass and chimes uniting their disparate in a perfect circle from the outside and a little less from the inside. I feel more like I'm hearing a Tubular Bells remix, played fast, here than in Particles. Platis f e atures a rhyme played on a piano and keyboard. The main segment is sequenced and is adding to this long, minimalist structure filled with nuances each time, or almost every time, that Platis goes up, down, and back to its starting point. Like a longer escalator! Exploiting its Gone-like structure, the track stores different keyboard chords, some lively and some orchestral, in a fluidity and complicity between the harmony and the ascending rhythm structure. A unique blend of Klaus Schulze and Mike Oldfield for pure happiness for the ears. If you like minimalist music, DEEPER UNDERSTANDING is the kind of album that will seduce you long before you fall asleep. Martin Peters has a flair and knows how far he can stretch his repetitive sequences and when to coat them with another layer before a minute too long. A good album where everything is similar, but in the end, nothing is really the same. Sylvain Lupari (October 12th, 2021) |
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Additions and changes from June 1 2022 till July 17 2022 |
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*new entry / track listing and cover added * Alio Die & others - CHAPTERS OF THE ECLIPSE (cd) 60164 $ 19.99 / UKP 13.99 / EURO 15.90 Details/ordering: http://www.groove.nl/jump2.php?artnum=60164 *new in stock * Axess - SINGULARITY (cd) 70278 2022. Versatile, Rythmic and great Sequencing. $ 19.99 / UKP 13.99 / EURO 15.90 Details/ordering: http://www.groove.nl/jump2.php?artnum=70278 *review added * Bakker, Rene de - PASSING BY (cd) gr-328 2022. A work that shows his struggles with the dementia of his father. Member of Beyond Berlin which shines through in this album!! A deep emotional album!!. $ 17.25 / UKP 12.25 / EURO 13.75 Details/ordering: http://www.groove.nl/jump2.php?artnum=gr-328 *new entry / track listing and cover added * BySenses - MONOCHROOM (cd) 37254 2022. For those who didn't knew: There is more than one colour in life, just openthe book.. Digipak $ 18.75 / UKP 13.25 / EURO 14.90 Details/ordering: http://www.groove.nl/jump2.php?artnum=37254 *review added * Christian, John - VIA AUSTRALIS (cd) gr-330 2022. Live and Studio mixed on this CD by Jon!!. $ 18.49 / UKP 12.99 / EURO 14.75 Details/ordering: http://www.groove.nl/jump2.php?artnum=gr-330 *new entry / track listing and cover added * C-Jay - BACKSLIDER II (cdr) 11168 2022. C-Jay now continues in 2022 where the original Bedrock album left off, with BackSlider II - placing the Dutchman squarely at the forefront of pioneeri. $ 17.49 / UKP 12.25 / EURO 13.90 Details/ordering: http://www.groove.nl/jump2.php?artnum=11168 *review added * Ellis, Paul - PANORAMAS CD-III (cd) gr-315 2022. Part 3 by Paul Ellis. These stunning pieces of music will flow into your life and enhance it with it's subtle atmosphere. All 3 releases will be limited to only 200 copy's!!. Limited edition of 200. $ 17.25 / UKP 12.25 / EURO 13.75 Details/ordering: http://www.groove.nl/jump2.php?artnum=gr-315 *new entry / track listing and cover added * Fox, Robert - TIMELESS 2 (cd) 28988 2022. 'best of' 1991-2005. $ 17.49 / UKP 12.25 / EURO 13.90 Details/ordering: http://www.groove.nl/jump2.php?artnum=28988 *(back) in stock * Neuland (BAUMANN & HASLINGER) - NEULAND (2CD-2019) (2-cd) 22043 2019. Double CD with all 15 tracks from Peter Baumann & Paul Haslinger. $ 32.49 / UKP 22.75 / EURO 25.90 Details/soundclip/ordering: http://www.groove.nl/jump2.php?artnum=22043 *(back) in stock * Neuland (BAUMANN & HASLINGER) - NEULAND (BLEURAY-DVD2019) (2-blueray) 43882 2019. Blueray/DVD with all 15 tracks from Peter Baumann & Paul Haslinger with stunning visuals.. $ 34.49 / UKP 24.25 / EURO 27.50 Details/soundclip/ordering: http://www.groove.nl/jump2.php?artnum=43882 *(back) in stock * Node - NODE LIVE AT THE ROYAL COLLEGE OF MUSIC (BLU RAY) (blueray) 18578 NODE lIVE on Blueray!. $ 35.25 / UKP 24.75 / EURO 28 Details/soundclip/ordering: http://www.groove.nl/jump2.php?artnum=18578 *new entry / track listing and cover added * Polypores - HYPERINCANDESCENT (cd) 84236 $ 18.75 / UKP 13.25 / EURO 14.90 Details/soundclip/ordering: http://www.groove.nl/jump2.php?artnum=84236 *new entry / track listing and cover added * Roach, Steve & others - NAUTICAL TWILIGHT (cd) 32673 2022. $ 19.99 / UKP 13.99 / EURO 15.90 Details/soundclip/ordering: http://www.groove.nl/jump2.php?artnum=32673 *new entry / track listing and cover added * Scanner - HOMELAND OF ELECTRICITY (cd) 12014 $ 18.75 / UKP 13.25 / EURO 14.90 Details/soundclip/ordering: http://www.groove.nl/jump2.php?artnum=12014 *review added * Schulze, Klaus - DEUS ARRAKIS (cd) 36115 2022. A new Schulze is always excited!!. $ 27.49 / UKP 19.25 / EURO 21.99 Details/soundclip/ordering: http://www.groove.nl/jump2.php?artnum=36115 *new in stock * Schulze, Klaus - DEUS ARRAKIS =3 LP VERSION= (3-lp) 78753 2022. A new Schulze is always excited!!. $ 56.25 / UKP 39.49 / EURO 44.95 Details/soundclip/ordering: http://www.groove.nl/jump2.php?artnum=78753 *review added * Skoulaman - MUNDUS IN MOTU (cd) gr-331 2022. Hans in top form, Space Sequencer music at it's best.. $ 17.25 / UKP 12.25 / EURO 13.75 Details/soundclip/ordering: http://www.groove.nl/jump2.php?artnum=gr-331 *new entry / track listing and cover added * Spyra - MY LITTLE GARDEN OF SOUNDS 2022 (cd) 86288 2022. Space music. $ 18.75 / UKP 13.25 / EURO 14.90 Details/soundclip/ordering: http://www.groove.nl/jump2.php?artnum=86288 *new entry / track listing and cover added * Zyl, Chuck van - WINTER WIND (lp + cd) 38697 2022. limited edition of 285 LPs on translucent black vinyl with white & silver splatter, sold together with a conventional silver CD of the album. Limited edition of 200. $ 32.49 / UKP 22.75 / EURO 25.90 Details/soundclip/ordering: http://www.groove.nl/jump2.php?artnum=38697 |
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